| Last Name |
First Name |
Title |
Publication Title |
Pages |
| | Annuaire des artistes et de l'enseignement dramatique et musical 1923 (32? année) | | |
| | Portrait(s) de Darius Milhaud | | |
| | Interlude: The Story of British Prisoners of War in Stammlager VIIIA at Görlitz in Lower Silesia, Germany | | |
| | Teorie opery. | | |
| Académie de Vaucluse | | “Remise du Grand Prix de l'Académie: Allocution de Monsieur le chanoine [Georges] Durand [...] Réponse de Monsieur Olivier Messiaen [...] Allocution de Monsieur Jean Keller” | Mémories de l'Académie de Vaucluse, septième série, tome v, 1984 | 50-68 |
| Adams | Beverly Decker | The Organ Music of Olivier Messiaen | | |
| Armfelt | Nicholas | “Emotion in the Music of Messiaen” | The Musical Times, Vol.106, November 1965 | 856-858 |
| Avery | James | “Olivier Messiaen: An Introduction to his Piano Music” | Contemporary Keyboard, August 1965 | 856-858 |
| Benitez | Vincent | “Aspects of Harmony in Messiaen's Later Music: An Examination of the Chords of Transposed Inversions on the Same Bass Note” | Journal of Musicological Research, 23 no.2 (April-June 2004): | 187-226 |
| Benitez | Vincent | “A Creative Legacy: Messiaen as Teacher of Analysis” | College Music Symposium 40. 2000 | 117-39 |
| Benitez | Vincent | “Simultaneous Contrast and Additive Designs in Olivier Messiaen's opera St. François d'Assisie” | Music Theory Online 8.2 (August 2002) (link) | |
| Bernard | Jonathan W | “Messiaen's Synaesthesia: The Correspondence between Color and Sound Structure in his Music” | Music Perception, Fall 1986 | 41-68 |
| Bernard-Delapierre | Guy | “Messiaen” | Confluences, V (1945) | |
| Bernard-Delapierre | Guy | “Souvenirs sur Olivier Messiaen” | Formes et couleurs, VIII/3-4 (1945) | |
| Boivin | Jean | La Classe de Messiaen | | |
| Borum | Paul, and Erik Christensen | Messiaen: en Handbog | | |
| Boswell-Kurc | Lilise | Olivier Messiaen's Religious War-Time Works and their Controversial Reception in France (1941-1946) | | |
| Boulez | Pierre | Orientations | | 404-420 |
| Boulez | Pierre, George Benjamin and Peter Hill | “Messiaen as Teacher” | The Messiaen Companion | 266-282 |
| Brown | Royal S. | “French Music Since Debussy and Ravel” | High Fidelity/Musical America, September 1973 | 50-65 |
| Bruhn | Siglind | “Des encadrements musicaux qui élargissent la vue. Implications herméneutiques dans deux des Vingt regards sur l'Enfant-Jésus d'Olivier Messiaen” | Herméneutique musicale: vois de recherche et de reflexion | |
| Bruhn | Siglind | Images and Ideas in Modern French Piano Music: The Extra Musical Subtext in Piano Works by Ravel, Debussy and Messiaen | | |
| Bruhn | Siglind | “Musikalische Symbolik” | Olivier Messiaens Weihnachtsvignetten. Hermeneutisch-analytische Untersuchungen zu den “Vingt regards sur l'Enfant-Jésus” | |
| Bruhn | Siglind | Olivier Messiaen and the Language of Mystical Love | | |
| Bruyr | José | “Olivier Messiaen" | L'Écran des musiciens, seconde série | 124-31 |
| Buckland | Sidney | Francis Poulenc: Echo and Source: Selected Correspondence, 1915-1963 | | |
| Cheong | Wai-Ling | “Rediscovering Messiaen's Invented Chords” | Acta Musicologica, Vol.75, No. 1 (2003) | |
| Cheong | Wai-Ling | “Symmetrical Permutations, the Twelve Tones, and Messiaen's Catalogue d'oiseaux“ | Perspectives of New Music, 45/1 Winter 2007 | 110-37 |
| Chimènes | Myriam | La Vie musicale sous Vichy | | |
| Croizard | Maurice | "Paris siffle et applaudit le même soir Olivier Messiaen" | Paris Match, no.674, 10 March 1962 | 62-71 |
| Delaere | Mark | “Oliver Messiaen's Analysis Seminar and the Development of Postwar Serial Music“ | Music Analysis, Vol. 21, #1, March 2002 | 35-52 |
| Dennis | Brian | “Messiaen's La Transfiguration” | Tempo, 1970 | 29-30 |
| Dingle | Christopher | “Charm and Simplicity: Messiaen's Final Works” | Tempo, no.192, April 1995 | 2-7 |
| Dingle | Christopher | “Forgotten Offerings: Messiaen’s first orchestral works” | Tempo 241 (July 2007) | 2-21 |
| Dingle | Christopher | “La statue reste sur son pi&eactue;destal: Messiaen's La Transfiguration and Vatican II” | Tempo 212 (April 2000) | 8-11 |
| Drew | David | “Messiaen: A Provisional Study” | The Score, 1954-55, 10:33-49, 13:59-73, 14:41-61 | 73, 14:41-61 |
| Ernst | Karin | Der Beitrag Olivier Messiaens zur Orgelmusik des 20. Jahrhunderts | | |
| Fauquet | Joël-Marie | “Correspondance inédite: Lettres d'Olivier Messiaen à Charles Tournemire” | Tournemmire | |
| Forster | Max | Technik modaler Komposition bei Olivier Messiaen | | |
| Forte | Allen | “Olivier Messiaen as Serialist” | Music Analysis, Vol. 21, #1, March 2002 | pp3 -34 |
| Fowler | J. Roger | “An Introduction to the Music of Olivier Messiaen” | The Chesterian, January 1954 | 77-83 |
| Francès | Robert | La Perception de la Musique | | |
| Gardiner | Bennett | “Dialogues with Messiaen” | Musical Events, October 1967 | pp 6-9 |
| Gengenbach | Ernest de | “Messiaen ou le surréel en musique” | Revue musicale de France, 15 April 1946 | 1-3, 18 |
| Gilmer | Carl DuVall, III | Messiaen's Musical Language in ‘Méditations sur le Mystère de la Sainte Trinité’ | | |
| Godefroid | Philippe | “Entretiens avec Olivier Messiaen” | Opéra de Paris, 12, 1983 | 8-13 |
| Goléa | Antoine | Esthétique de la musiqe contemporaine I: De Messiaen à Boulez | | |
| Goléa | Antoine | Rencontres avec Olivier Messiaen | | |
| Goléa | Antoine | Vingt ans de Musique Contemporaine: de Messiaen à Boulez | | |
| Goldman | Richard F. | “Messiaen: La Nativité du Seigneur” | The Musical Quarterly LIII, April 1967 | 290-293 |
| Gratsch | Edward J. | Aquinas' ‘Summa’: An Introduction and Interpretation | | |
| Griffiths | Paul | “Catalogue de Couleurs: Notes on Messiaen's Colors on His 70th Birthday | The Musical Times, Vol.119, Sepember 1978 | 1035-1037 |
| Griffiths | Paul | Olivier Messiaen and the Music of Time | | |
| Griffiths | Paul | “Olivier Messiaen” | The New Grove Twentieth-Century French Masters | 219-248 |
| Gross-Hardt | Johannes | Die französiche Orgelsymphonie des 19. und 20. Jahrhunderts | | |
| Halbreich | Harry | Olivier Messiaen | | |
| Hassman | Carroll | “Messiaen: An Introduction to His Compositional Techniques and an Analysis of La Nativité” | The Diapason, December 1971 | 22-23 |
| Hill | Peter and Nigel Simeone | Messiaen | | |
| Hill | Peter | “For the Birds” | Musical Times, Sept 1994 | 552-555 |
| Hill | Peter | “Interview with Yvonne Loriod” | The Messiaen Companion | 283-303 |
| Hill | Peter | “Introduction” | The Messiaen Companion | 1-11 |
| Hirsbrunner | Theo | “Magic and Enchantment in Olivier Messiaen's Catalogue d'oiseaux” | Olivier Messiaen and the Language of Mystical Love | 195-214 |
| Hsu | Madeleine | Olivier Messiaen: The Musical Mediator: A Study of the Influence of Liszt, Debussy and Bartók | | |
| Huyben | Gilbert | The Complete Theoretical Works of Aristide Cavaillé-Coll | | |
| Jackson | Julian | France: The Dark Years, 1940-1944 | | |
| Jacquet-Langlais | Marie-Louise | Ombre et lumière: Jean Langlais, 1907-1991 | | |
| Knussen | Oliver | “Messiaen's Des canyons aux étoiles . . .” | Tempo, Vol.116, March 1976 | 39-41 |
| Krastewa | Iwanka | “Le Langage rythmique d'Olivier Messiaen et la métrique ancienne grecque” | Schweizerische Musikeitug, Vol.112, 1972 | 79-86 |
| Massin | Brigitte | Olivier Messiaen: une poétique du merveilleux | | |
| Matheson | Iain | “The End of Time: a Biblical Theme in Messiaen's Quatuor” | The Messiaen Companion | 234-248 |
| Mellers | Wilfrid | “Mysticism and Theology” | The Messiaen Companion | 220-233 |
| Messiaen | Olivier | “Des paroles d'esprit: Entretien avec Olivier Messiaen” | Charles de Gaulle, Cahiers de L'Herne, no.21 | 44-46 |
| Messiaen | Olivier | Preface | Pulsatons: Rythmes à frapper, by Jean-Michel Bardez | |
| Messiaen | Olivier | Preface | L'Histoire de la langue musicale, by Maurice Emmanuel | |
| Messiaen | Olivier | “Réponse de Monsieur Olivier Messiaen” | | |
| Messiaen | Olivier | Preface | Variations pour piano (ut dièse mineur); Deux mélodies, by Denis Joly | |
| Messiaen | Olivier | Preface | L'Âme en bourgeon, by Cécile Sauvage | 7-15 |
| Messiaen | Olivier | “Ariane et Barbe-bleue de Paul Dukas” | Revue musicale, no.166 (1936) | 79-86 |
| Messiaen | Olivier | “Le rythme chez Igor Stravinsky” | Revue musicale, no.191 (1939) | 91-92 |
| Messiaen | Olivier | “Maurice Emmanuel: ses Trente chansons bourguignonnes” | Revue musicale, no.206 (1947) | 107-8 |
| Messiaen | Olivier | “Olivier Messiaen analyse ses œuvres” | Hommage à Olivier Messiaen: novembre-decembre 1978 | |
| Messiaen | Olivier | Traité de rythme, de couleur, et d'ornithologie (7 volumes) | | |
| Messiaen | Olivier | Vingt leçons de solfège moderne | | |
| Messiaen | Olivier | Vingt leçons d'harmonie | | |
| Messiaen | Olivier | Preface to André Jolivet: Mana | | |
| Messiaen | Olivier | Conférence de Kyoto: November 12, 1985 | | |
| Messiaen | Olivier | “Derrière ou devant la porte?... (Lettre ouverte à M. Eugène Berteaux)” | La Page musicale, 26 February 1937 | |
| Messiaen | Olivier | “Le Premier Livre d'orgue de Georges Migot” | La Revue musicale, March 1938 | |
| Messiaen | Olivier | “Un Spectacle Darius Milhaud” | Syrinx (Brussels), March 1938 | 25-26 |
| Messiaen | Olivier | “Autour d'une parution” | Le Monde musical, 30 April 1939 | |
| Messiaen | Olivier | “Autour d'une œuvre d'orgue” | L'Art sacré, April 1939 | |
| Messiaen | Olivier | “Les Amis de l'Orgue et la guerre” | L'Orgue, nos. 40-41, Dec 1939-March 1940 | 30-38 |
| Messiaen | Olivier | “Technique de mon langage musical” | Musique et radio, vol. 33, no. 386, Nov 1942 | 253-254 |
| Messiaen | Olivier | “Béla Bartók “ (obituary) | Images musicales, 19 October, 1945 | |
| Messiaen | Olivier | “Le 2e Concerto de Béla Bartók” | Lumières de la Ville, 18 Dec 1945 | |
| Messiaen | Olivier | “Réponses à une enquête” | Contrepoints, no. 3, March-April 1946 | |
| Messiaen | Olivier | “Concert Line Zilgien (Concert de La Revue musicale)” | La Revue musicale, no. 201, Sept 1946 | |
| Messiaen | Olivier | “Notes de travail pour l'accompagnement musicle de Matins du monde à l'église de la Trinité” | Matins du Monde, by R. Michael | 109-112 |
| Messiaen | Olivier | “Orgue” | La Trinité, May 1951 | |
| Messiaen | Olivier | Preface | Chansons folkloriques françaises au Canada: Leur langue musicale | |
| Messiaen | Olivier | “Isaac Albéniz Iberia” | | |
| Messiaen | Olivier | “La Nature, les chants d'oiseaux” | Guide du concert, no.229, 3 April 1959 | 1093-1094 |
| Messiaen | Olivier | Situation artistique et sociale du musicien en 1964 | Institut de France, Académie des Beaux-Arts, Communications 20 mai - 25 novembre 1964 | |
| Messiaen | Olivier | “Hommage d'Olivier Messiaen aux artistes de l'orchestre” | L'Artiste musiciende Paris, 64? année, nouvelle série, no.14, 1966 | 15-17 |
| Milsom | John | “Organ Music I” | The Messiaen Companion | 51-71 |
| Morgan | Richard | Twentieth Century Music: A History of Musical Style in Modern Europe and America | | |
| Morris, | David | “A Semiotic Investigation of Messiaen's Abîme des oiseaux” | Music Analysis, Vol.8, 1989 | 125-158 |
| Morris, | David | A Comparative Bibliography | | |
| Murray | Michael | “An Interview with Olivier Messiaen” | The Diapason, December 1978 | 3-5 |
| Murray | Michael | French Masters of the Organ: Saint-Saëns, Franck, Widor, Vierne, Dupré, Langlais, Messiaen | | |
| Myers | Rollo | “Messiaen, Boulez and After” | Modern French Music from Fauré to Boulez | 152-248 |
| Nelson | Boris | “Merci Beaucoup, Monsieur Messiaen!” | The Toledo Blade, December 10, 1978 | |
| Nichols | Roger | Messiaen [Oxford Studies of Composers] | | |
| Nichols | Roger | "Messiaen's Le Merle noir: the Case of a Blackbird in a Historical Pie" | Musical Times, 1988 | 648-50 |
| Nichols | Roger | “Messiaen at 70: Interview with Roger Nichols” | Music and Musicians, December 1978 | 20-22 |
| Nichols | Roger | “Boulez on Messiaen” | Organists' Review, LXXI, August 1986 | 167-170 |
| Ousby | Ian | Occupation: The Ordeal of France, 1940-1944 | | |
| Périer | Alain | Messiaen | Solfèges Microcosme Series, no.37 | |
| Palmer | David | “Olivier Messiaen: A Biography” | The American Organist, April 1986 | 65-71 |
| Palmer | David | “Olivier Messiaen: A Tribute on His 80th Birthday” | The Diapason, December 1988 | 10-11 |
| Paulaux-Simonnet | Bénédicte | Paul Dukas ou le musicien-sorcier | | |
| Peterson | Larry | Olivier Messiaen: His Theories and Musical Practices | | |
| Peterson | Nils Holger | “Messiaen's Saint François d'Assise and Franciscan Spirituality” | Olivier Messiaen and the Language of Mystical Love | 169-194 |
| Petit | Roland | J'ai dansé sur les flots | | |
| Pfaff | Timothy | “Keys to the Kingdom” | Piano Quarterly, Summer 1992 | 50-54 |
| Pierrette | Mari | Olivier Messiaen: l'homme et son œuvre | | |
| Pople | Anthony | “Messiaen's Musical Language: an Introduction” | The Messiaen Companion | 15-50 |
| Porcile | François | La Belle Époque de la musique français: Le temps de Maurice Ravel (1871-1940) | | |
| Porcile | François | Conflits de la musique française (1940-1945) | | |
| Poulenc | Francis | Entretiens avec Claude Rostand | | |
| Raver | Leonard | “Olivier Messiaen's Méditations sur le mystère de la Sainte Trinité” | Music/The AGO and RCCO Magazine, April 1974 | |
| Renshaw | Jeffrey | “Olivier Messiaen's Et exspecto: An Interpretative Analysis” | The Instrumentalist, November 1991 | 28-34 |
| Reverdy | Michèle | L'œuvre pour piano d'Olivier Messiaen | | |
| Reverdy | Michèle | L'œuvre pour orchestre d'Olivier Messiaen | | |
| Romig | David W., and J. Melvin Butler | “Messiaen's La nativité du Seigneur as a Setting for a Christmas Communion Service" | Music/The AGO and RCCO Magazine, December 1978 | 32-33 |
| Rorem | Ned | “A Note on Messiaen” | Pure Contraption: A Composer's Essays | |
| Rose | Mark Alan | The Perception of Multitonal Levels in Olivier Messiaen's ‘Quatuor pour la fin du temps’ | | |
| Rostand | Claude | Olivier Messiaen | | |
| Rostand | Claude | “Messiaen et ses trois styles” | Schweizerische Musikzeitung, Vol.97, 1957 | 133-139 |
| Rostand | Claude | La Musique français contemporaine | | 52-72 |
| Sabatier | François | “Bérenger de Miramon Fitz-James et Olivier Messiaen” | L'Orgue, no.224, 1992 | 5-11 |
| Saito | Megumi | “Olivier Messiaen no organ ongaku: Seinaru sanmi-ittai no shinpi eno meiso” | Organ kenkyu, Japan, Vol. XX (1992) | 100-103 |
| Samuel | Claude | Entretiens avec Olivier Messiaen | | |
| Samuel | Claude | Olivier Messiaen: Musique et couleur | | |
| Samuel | Claude | Permanences d'Olivier Messiaen: Dialogues et commentaires | | |
| Schlee | Thomas Daniel | Olivier Messiaen: ‘Méditations sur le Mystère de la Sainte Trinité’ | | |
| Schuster-Craig | John | “An Eighth Mode of Limited Transposition” | The Music Review, Vol.51, No.4, November 1990 | 296-306 |
| Schweizer | Klaus | “Olivier Messiaen's Klavieretude Mode de valeurs et d'intensités” | Archiv für Musikwissenschaft, 32/2, 1973 | 128-146 |
| Schweizer | Klaus | Meisterwerke der Musik Olivier Messiaen: Turangalîla-symphonie | | |
| Seidel | Elmar | "Messiaens geistliche Musik" | Katholische Kirchenmusik, Vol. 6 (November 1968) | 297-304 |
| Seidel | Elmar | “Messiaens Livre d'orgue” | Musik und Altar, 10/6, 1958 | |
| Seidel | Elmar | “Bemerkungen zur s. Pièce en Trio des Livre d'orgue von Olivier Messiaen” | Musica Sacra, 93/6, 1973 | |
| Serrou | Robert | “Messiaen: Adieu au Musicien de Dieu” | Paris Match, May 1992 | 94-95 |
| Shenton | Andrew | “Speaking with the Tongues of Men and of Angels: Messiaen's ‘langage communicable’” | Olivier Messiaen and the Language of Mystical Love. | 225-246 |
| Sholl | Robert | “The True Way” | The Musical Times, May 1996 | 35-37 |
| Simeone | Nigel | “An Exotic Tristan in Boston: The First Performance of Messiaen's Turangalîla-Symphonie” | King Arthur in Music, Arthurian Studies, vol.52 | 106-125 |
| Simeone | Nigel | Bien Cher Félix...Letters from Olivier Messiaen and Yvonne Loriod to Félix Aprahamian | | |
| Simeone | Nigel | ‘”Chez Messiaen, tout est prière”: Messiaen's appointment to the Trinité in 1931’ | Musical Times (Winter 2004) | 36-53 |
| Simeone | Nigel | “Daniel-Lesur” | Musical Times (Winter 2002) | 6-8 |
| Simeone | Nigel | “Group Identities: La Spirale and La Jeune France” | Musical Times (Autumn 2002) | 10-36 |
| Simeone | Nigel | "Messiaen and the Concerts de la Pléiade: "A Kind of Clandestine Revenge on the Occupation" | Music & Letters (November 2000) | |
| Simeone | Nigel | “Music Publishing in Paris under the German Occupation” | Brio, vol.38, no.1, spring/summer 2001 | 2-17 |
| Simeone | Nigel | “Offrandes oubliées: Messiaen in the 1930s” | Musical Times (Winter 2000) | |
| Simeone | Nigel | “Offrandes oubliées 2: Messiaen, Boulanger and José Bruyr” | Musical Times (Spring 2001) | |
| Simeone | Nigel | Olivier Messiaen: A Bibliographical Catalogue of Messiaen's Works Musikbibliographische Arbeiten, 14.) | | |
| Simeone | Nigel | “The Science of Enchantment: Music at the 1937 Paris Exposition” | Musical Times (Spring 2002) | 9-19 |
| Simeone | Nigel | “Towards "un succès absolument formidable": the birth of Messiaen's La Transfiguration” | Musical Times (Summer 2004) | 5-24 |
| Simeone | Nigel | “Vingt Regards sur l'Enfant-Jésus” | | 3-15 |
| Simundza | Mirjana | “Messiaen's Rhythmical Organisation and Classical Indian Theory of Rhythm” | International Review of the Aesthetics and Sociology of Music | 1987: 117-144 and 1988: 53-73 |
| Smalley | Roger | “Debussy and Messiaen” | The Musical Times, Vol.109, February 1968 | 128-131 |
| Smith | Rollin | “Le banquet céleste” | Music/The AGO and RCCO Magazine, December 1978 | |
| Soulage | Marcelle | “Une œuvre d'Olivier Messiaen: L'Ascension” | Les Amis de St. François, Revue trimestrielle de doctrine, de littèrature et d'art, nouvelle série, vol.4, no.4, Oct-Dec 1963 | 154-157 |
| Street | Donald | “The Modes of Limited Transposition” | The Musical Times, Vol.117, October 1976 | 819-823 |
| Strobel | Heinrich | “Gespräch mit Olivier Messiaen” | Melos, April 1949 | 101-104 |
| Tölle | Julian Christoph | Olivier Messiaen: Eclairs Sur L'Au-Dela: Die Christlich-Eschatologische Dimension Des Opus Ultimum | | |
| Trawick | Eleanor F | “Serialism and Permutation Techniques in Olivier Messiaen's Livre d'orgue” | Music Research Forum, 1991 | 15-35 |
| Urwin | Ray W | The Late Organ Works of Olivier Messiaen | | |
| Walker | Rosemary | “Modes and Pitch-Class Sets in Messiaen: A Brief Discussion of Première communion de la Vierge” | Music Analysis, Vol.8, 1989 | 159-168 |
| Walter | Rudolf | “Die Orgel von Sainte Trinité in Paris und Olivier Messiaen” | Musik und Kirche, Vol. XLVIII/6 (1978) | 261-72 |
| Walter | Rudolf | “L'orgue de La Trinité, Paris et Olivier Messiaen” | L'Orgue, Vol.189, January - March, 1984 | 1-17 |
| Weir | Gillian | “En souvenir . . . Olivier Messiaen 1908-1992” | Organists' Review, Vol. *, September 1992 | 193-194 |
| Weir | Gillian | “Organ Music II” | The Messiaen Companion | 352-391 |
| Zacher | Gerd | “Livre d'Orgue - eine Zumutung” | Musik-Konzepte, Heft 28, November 1982 | 92-107 |
| [Durand et Cie] | | Centenaire des Éditions Durand & Cie: 1869-1969 | | |
