| Last Name |
First Name |
Title |
Publication Title |
Pages |
| | Olivier Messiaen | Music: Text+Kritik | |
| Anaf | Jef | “Literaire aanduidingen versus muzikale iutwerking in het jongste orgelwerk van Olivier Messiaen” | Adem, Belgium, Vol. XX/4 (September-October 1984) | 175-185 |
| Anderson | Julian | “Olivier Messiaen (1908-1992)” | The Musical Times, Vol.133, September 1992 | 449-451 |
| Anderson | Julian | “Writ Small” | The Musical Times, Vol.136, August 1995 | 434-435 |
| Aquinas | St. Thomas | Summa Theologiæ | | |
| Archbold | Lawrence, and William J. Peterson | French Organ Music: from the Revolution to Franck and Widor | | |
| Bell | Carla Huston | Olivier Messiaen | | |
| Benitez | Vincent | Olivier Messiaen: A Research and Information Guide | | |
| Bernard | Jonathan W | “Colour” | The Messiaen Companion | 203-219 |
| Bernard-Delapierre | Guy | “Le Cas Messiaen devant la pensée catholique orthodoxe” | Confluences, V (1945) | |
| Bingham | Seth | “Messiaen's Pentecostal Organ Mass”, | Organ Institute Quarterly, Winter, 1953 | 9-18 |
| Blarr | Oskar Gottlieb | "Fragment uber Messiaen" | Musik-Konzepte, Heft 28, November 1982 | 78-91 |
| Boivin | Jean | “Messiaen's Teaching at the Paris Conservatoire” | Olivier Messiaen and the Language of Mystical Love | 5-32 |
| Boulez | Pierre | “Olivier Messiaen” | Anhaltspunkte | 154-162 |
| Boulez | Pierre | “Olivier Messiaen: An Essay [...]” | Cleveland Orchestra's An Informal Evening with Pierre Boulez, Severance Hall, Cleveland, 5 Decemer 1970 | |
| Bruhn | Siglind | “The Spiritual Layout in Messiaen's Contemplations of the Manger” | Olivier Messiaen and the Language of Mystical Love | 247-268 |
| Bryant | Jen | Music for the End of Time | | |
| Burkat | Leonard | “Current Chronicle [Turangalîla-Symphonie]”, | Musical Quarterly, XXXVI, April 1950 | 259-268 |
| Chabrol | Véronique | “L'Ambition de 'Jeune France'” | La Vie culturelle sous Vichy | 161-178 |
| Cheong | Wai-Ling | “Messiaen's Triadic Colouration: Modes as Interversion” | Music Analysis, Vol.21, No. 1 (2002) | 53-84 |
| Crankshaw | Geoffrey | “Messiaen and La Trinité” | The Organ, Vol.75, No.296, Spring 1996 | 73-75 |
| Davidson | Audrey Ekdahl | Olivier Messiaen's Tristan trilogy : Time and Transcendence | | |
| Demuth | Norman | “Messiaen and His Organ Music” | The Musical Times, Vol.96, April 1955 | 203-206 |
| Dingle | Christopher | The Life of Olivier Messiaen | Cambridge University Press, 2007 | |
| Dingle | Christopher and Peter Hill, eds. | Olivier Messiaen: Music, Art and Literature | Aldershot, Ashgate, 2007 | |
| Dingle | Christopher | "Catalogue of works and Discography" | In The Messiaen Companion, Peter Hill, ed. (London: Faber and Faber, 1995) | 536-565 |
| Dingle | Christopher | “Frescoes and Legends: the sources and background of Saint Franĉois d'Assise” | In Olivier Messiaen: Music, Art an Literature, Dingle and Simeone (eds) (Aldershot: Ashgate 2007) | 301-322 |
| Dumesnil | René | La Musique en France entre les deux guerres 1919-1939 | | |
| Dwyer | Paula Ennis | A study of coherence and unity in Messiaen's cycle Vingt regards sur l'Enfant-Jésus | | |
| Evans | Adrian | “Olivier Messiaen in the Surrealist Context: A Bibliography” | Brio, Spring 1974, 2-11; Autumn 1974, 25-35 | |
| Fabbi | Roberto | “Theological Implications of Restrictions in Messiaen's Compositional Process” | Olivier Messiaen and the Language of Mystical Love | 85-120 |
| Fishell | Janette | “Old Symbols-New Language: An Examination of Olivier Messiaen's Méditations sur le mystère de la Sainte Trinité” | The Diapason, December 1988 | 12-15 |
| Florand, O.P. | François | “Problèmes de la musique sacrée” | Cahiers de l'Art sacré, no.6, 1946 | 37-42 |
| Freeman | Robin | “Courtesy towards the Things of Nature: Interpretations of Messiaen's Catalogue d'oiseaux” | Tempo, no.192, April 1995 | pp 9-14 |
| Garett, | L.R. | Melodic and Harmonic Style in the Organ Works of Olivier Messiaen from 1928 to 1939 | | |
| Gaulle | Charles de | Discours et messages: 1. Pendant la guerre, juin 1040-janvier 1946 | | 439-40 |
| Gavoty | Bernard | Chroniques de Clarendon: Au bonheur des soirs (1945-1981) | | |
| Gavoty | Bernard | “Who are you, Olivier Messiaen” | Tempo, Vol.58, Summer 1961 | 33-36 |
| Gillock | John | “Messiaen's Organ Works: The Composer's Aesthetic and Analytical Notes” | Music/The AGO and RCCO Magazine, December 1978 | 42-54 |
| Goehr | Alexander | “The Messiaen Class” | Finding the Key: Selected Writings | 42-57 |
| Gottwald | Clytus | “Fragment über Messiaen” | Musik-Konzepte, Heft 28, November 1982 | 78-91 |
| Griffiths | Paul | “Saint François d'Assise” | The Messiaen Companion | 488-509 |
| Griffiths | Paul | “Essential Messiaen: An Introduction to the Composer on Disc” | The New Yorker, August 5, 1996 | 78-79 |
| Gut | Serge | Le groupe Jeune France: Yves Baudrier, Daniel Lesur, André Jolivet, Olivier Messiaen: Musique-Musicologie Series, no. 4 | | |
| Hayes | Malcolm | “Instrumental, Orchestral and Choral Works to 1948” | The Messiaen Companion | 157-200 |
| Healey | Gareth | “Messiaen and the concept of 'Personages'" | Tempo (October 2004) | |
| Heiss | Helmut | “Struktur und Symbolik in Reprises par interversion und Les mains de l'abîme aus Olivier Messiaens Livre d'orgue” | Zeitschrift für Musiktheorie, 1/2, 1970 | 32-38 |
| Heiss | Helmut | “Struktur und Symbolik in Les yeux dans les roues aus Olivier Messiaens Livre d'orgue” | Zeitschrift für Musiktheorie, 3/2, 1972, | 22-27 |
| Hill | Peter | The Messiaen Companion | | |
| Hill | Peter and Nigel Simeone | Oiseaux exotiques | | |
| Hill | Peter | “Piano Music I” | The Messiaen Companion | 72-104 |
| Hodeir | André | “Olivier Messiaen” | La Musique depuis Debussy | 81-103 |
| Hohlfeld-Ufer | Ingrid | Die musikalische Sprache Olivier Messiaens, dargestellt an dem Orgelzyklus 'Die Pfingsetmesse' | | |
| Hold | Trevor | “Messiaen's Birds” | Music and Letters, April 1971 | 113-122 |
| Holloway | Clyde | The Organ Works of Olivier Messiaen and Their Importance in His Total Oeuvre | | |
| Honegger | Arthur | “Olivier Messiaen” | Incantation aux fossilecs | 95-100 |
| Jaquet | Marie-Louise | “Une somme théologique et musicale” | L'Orgue, Vol.154, April-June, 1975 | 43-61 |
| Johnson | Robert Sherlaw | Messiaen | | |
| Kemmelmeyer | Karl-Jürgen | Die gedruckten Orgelwerke Olivier Messiaens bis zum "Verset pour la fête de la Dédicace" | | |
| Keym | Stefan | Farbe und Zeit - Untersuchungen zur musiktheatralen Struktur und Semantik von Olivier Messiaens Saint Francois d'Assise | | |
| Lacombe | Alain and Francis Porcile | Les Musiques du cinéma français | | |
| Lacorre | Denis | “Le grand orgue Cavaillé-Coll de La Trinité à Fécamp: Relevé technique sommaire” | Orgue normand, France, Issue 20, 1991 | 2-19 |
| Landale | Susan | “Olivier Messiaen: Musical Language, Musical Image” | Music/The AGO and RCCO Magazine, December 1978 | 36-39 |
| Lauerwald | Hannelore | In fremdem Land. Kriegsgefangene in Deutschland am Beispiel des Stalag VIIIA Görlitz | | |
| Lauerwald | Hannelore | “Er musizierte mit Olivier Messiaen als Kriegsgefangener” | Das Orchester, January 1999 | 21-23 |
| Lee | John Madison | “Harmony in the Solo Piano Works of Olivier Messiaen: The First Twenty Years” | College Music Symposium, Vol.23, *1, 1983 | 65-80 |
| Lee | John Madison | Harmonic Structure in the ‘Quatre Études Rythmiques’ of Olivier Messiaen | | |
| Leuders | Kurt | “Alexandre Guilmant et l'affaire de la Trinité” | Flûte harmonique, Issue 57-58 (1991) | 2-42 |
| Longchampt | Jacques | “Olivier Messiaen” | Le Bon Plaisir: Journal de musique contemporaine | 32-49 |
| Loriod | Yvonne and Jeanne | [“Témoignage”] | Les Cahiers Boëlmann-Gigout, nos.4-5, 1999-2000 | 102-104 |
| Machabey | Armand | “Olivier Messiaen” | Portrait de trente musiciens français | 127-130 |
| Manning | Jane | “The Songs and Song Cycles” | The Messiaen Companion | 105-156 |
| Marchal-Vincent | Béatrice | L'Œuvre poétique de Cécile Sauvage (1883-1927) | | |
| Mari | Pierette | Olivier Messiaen: l'homme et son oeuvre | | |
| Marmion | Dom Columba | Le Christ dans ses Mystères | | |
| Marti | Jean-Christophe | “Entretien avec Oliver Messiaen” | Saint François d'Assise: Libretto, Analyse, Kommentare, Dokumenation | 8-18 |
| Massip | Catherine | Portrait(s) d'Olivier Messiaen | | |
| Mellers | Wilfrid | “La Transfiguration” | The Messiaen Companion | 448-459 |
| Messiaen | Olivier | Discours de M. Olivier Messiaen, Président, Institut de France, Académie des Beaux-Arts, séance publique annuelle du 14 novembre 1973 | | |
| Messiaen | Olivier | Arts-Sciences alliages: Iannis Xenakis, Olivier Messian, Michel Ragon, Olivier Revault d'Allonnes, Michel Serres, Bernard Teyssèdre | | |
| Messiaen | Olivier | Les Grandes Orgues de l'église de la Sainte-Trinité à Paris | | |
| Messiaen | Olivier | Preface | Flûtes au présent: Traité des techniques contemporaines sur les flûtes traversières, à l'usage des compositeurs et des flûtistes, by Pierre-Yves Artaud & Gérard Geay | |
| Messiaen | Olivier | “Evocation de Cécile Sauvage” | Annales de Haute-Provence, vol.50, no.291, 1er semestre 1981 | 114-118 |
| Messiaen | Olivier | Preface | Dichrostachys: Pièces pour orgue, by Francine Guiberteau | |
| Messiaen | Olivier | Discours pour la cérémonie du 20 janvier 1984 à Grenoble | | |
| Messiaen | Olivier | Preface | Olivier Messiaen: L'Ascension, by Anne Le Forestier (Cahiers d'analyse et de formation musicale, vol.1) | i |
| Messiaen | Olivier | Les 22 Concertos pour piano de Mozart | | |
| Messiaen | Olivier | “Le Basson français” | | |
| Messiaen | Olivier | Preface | "L'Itinéraire," La Revue musicale, nos.421-4 [quadruple issue], 1991 | |
| Messiaen | Olivier | “Every Angel's Terrifying” | The UNESCO Courier, July 1991 | |
| Messiaen | Olivier | Technique de mon langage musical, 2 volumes | | |
| Messiaen | Olivier | Bien Cher Félix...Letters from Olivier Messiaen and Yvonne Loriod to Félix Aprahamian | | |
| Messiaen | Olivier | Saint François d'Assise: Scènes Fransiscaines | | |
| Messiaen | Olivier | Messiaen on Messiaen: The Composer Writes about his Works | | |
| Messiaen | Olivier | Les 22 concertos pour piano de Mozart | | |
| Messiaen | Pierre | Images | | |
| Messiaen | Olivier | “L'Ascension” | Le Monde musical, 28 Feb, 1935 | 48-49 |
| Messiaen | Olivier | “La Nativité du Seigneur” | Tablettes de la Schola Cantorum, Jan-Feb, 1936 | 2 pages |
| Messiaen | Olivier | “L'Orgue” | Le Monde musical, 31 March 1938 | |
| Messiaen | Olivier | “L'Orgue mystique de Tournemire” | Syrinx (Brussels), May 1938 | |
| Messiaen | Olivier | “Contre la paresse” | La Page musicale, 17 March 1939 | |
| Messiaen | Olivier | “De la musique sacrée” | Carrefour, vol.1, no.4, June-July 1939 | |
| Messiaen | Olivier | “Quatuor pour la fin du Temps” | Lumignon: Bi-mensuelle du Stalag VIIIA, no.1, 1 April 1941 | 3-4 |
| Messiaen | Olivier | “Sur mon traité de composition” | Comœdia, 5 Dec 1942 | 1 & 4 |
| Messiaen | Olivier | “L'Inspiration musicale” | Opéra, 19 Dec 1945 | |
| Messiaen | Olivier | “Maurice Emmanuel: Ses Trente Chansons bourguigononnes” | La Revue musicale, no. 206, 1947 | 107-108 |
| Messiaen | Olivier | "Hommage à un Maître disparu: Jean de Gibon | Écho du Pays de Redon, 26 Jan 1952 | |
| Messiaen | Olivier | Preface to “Experiences musicales: Musiques concrète, électronique, exotique” | La Revue musicale, no.244, 1959 | 5-6 |
| Messiaen | Olivier | [Hommage à Roger Désormière] | Les Lettres françaises, no.1001, 8 Oct-6 Nov 1963 | |
| Messiaen | Olivier | “Absence et présence de Roger Désormière” | | |
| Messiaen | Olivier | Notice sur la vie et des travaux de Jean Lurçat [...] lue à séance de mercredi 15 mai 1968 | | |
| Messiaen | Olivier | “Olivier Messiaen” | Dictionnaire de la musique, ii. Les Hommes et leurs œuvres | 819-820 |
| Messiaen | Olivier | Preface | Albert Roustit's La Prophétie musicale dans l'histoire de l'humanité | |
| Messiaen | Olivier | Preface | François Gervais' “Étude comparée des langages harmoniques de Fauré et de Debussy,” La Revue musicale, no.272, 1971 | 7-8 |
| Michaely | Aloyse | “L'Abîme, Das Bild des Abgrunds bei Olivier Messiaen” | Musik-Konzepte, Heft 28, November 1982 | 7-55 |
| Michaely | Aloyse | Die Musik Oivier Messiaens Untersuchungen zum Gesamtschaffen | | |
| Milsom | John | “Working with the Maître: Pianist Peter Hill Remembers Messiaen . . .” | Gramophone, September 1992 | |
| Milsom | John | “Messiaen's Organ Music” | Gramophone, December 1992 | 31-31 |
| Muncy | Thomas R. | Messiaen's Influence on Post-War Serialism | | |
| Neidhöfer | Christoph | “A Theory of Harmony and Voice Leading for the Music of Olivier Messiaen” | Music Theory Spectrum, Vol.27, Issue 1, 2005 | 1-34 |
| Otto | Theophil M. | “Messiaen and the Baroque Organ” | Music/The AGO and RCCO Magazine, December 1978 | 40-41 |
| Peterson | Larry | “Messiaen and Surrealism: A Study of His Poetry” | Olivier Messiaen and the Language of Mystical Love | 215-224 |
| Quénétain | Tanneguy de. | “Messiaen, Poet of Nature” | Music and Musicians, May 1963 | |
| Rößler | Almut | Zur Interpretation der Orgelwerke Messiaens | | |
| Rößler | Almut | Contributions to the Spiritual World of Olivier Messiaen, with Original Texts by the Composer | | |
| Rorem | Ned | “Messiaen and Carter on Their Birthdays” | Setting the Tone: Essays and a Diary | 146-148 |
| Shenton | Andrew | Olivier Messiaen's System of Signs: Notes Towards Understanding his Music | | |
| Sholl | Robert | Messiaen Studies | | |
| Simeone | Nigel and Peter Hill | Messiaen | | |
| Simeone | Nigel and Peter Hill | Oiseaux exotiques | | |
| Simeone | Nigel and Christopher Dingle | Olivier Messiaen: Music, Art, Literature | | |
| Weir | Gillian | “Messiaen's Musical Language - a Review of his Méditations sur le mystère de la Sainte Trinité” | Studies in Music, Australia, Vol. XIII (1979) | 66-76 |
| Wyrembelski | Wayne | “Olivier Messiaen's Timeless Visions of the Eternal Church: On the Occasion of the Composer's 80th Birthday” | American Organist, December 1988 | 54-55 |
| Wyton | Alec | “Méditations sur le mystère de la Sainte Trinité” | Music/The AGO and RCCO Magazine, May 1972 | |
